Author: G. K. Chesterton was a devoutly Catholic journalist, poet and novelist of the early 20th century. His most apt nickname is “The Prince of Paradox.”
If you have not read any of Chesterton’s poetry, The Wild Knight and Other Poems (1900) is a great place to start. It holds the distinction of being G. K. Chesterton’s second published book out of a corpus that spans over 100 volumes over four decades (1900-1936).
Published at the turn of the 20th century, when the author was in his mid-twenties, the volume has almost nothing of the archaisms and classicisms that keep modern readers away from older poetry. Just as Chesterton’s other works, it strikes a balance between profound insight and childlike whimsy.
Among all his works of poetry, the more serious (or semi-serious) poems are found in The Wild Knight (1900), The Ballad of the White Horse (1911), Poems (1915), and The Ballad of St. Barbara (1922). Those four volumes deal with many Christian themes and will probably be enjoyed by serious readers. Very different in tone are the light little collections Greybeards at Play (1900) and Wine, Water and Song (1915), which make quick and light reading, but don’t offer much in the way of hidden treasure.
“The Human Tree” is, to me, a striking picture of divine forbearance, reminiscent of the doctrine of kenosis found in Philippians 2.
“The Donkey”—about the donkey that carried Jesus during the Triumphal Entry—is frequently quoted by Ravi Zacharias and other Christian authors.
Many of Chesterton’s poems, both here in and in his 1915 volume of Poems, deal with Christmas themes, and these were later arranged into a pamphlet called Christmas Poems (1929).
Like any good poetry, the author’s meaning is not always on the surface, and so I can’t say that these books make suitable devotional reading. Chesterton was a literary genius and sometimes makes use of archaisms that are not to be found in my little dictionary. Many poems will have to be read twice or thrice, but then, if that weren’t true, what is poetry for?