Author: G. K. Chesterton was a devoutly Catholic journalist, poet and novelist of the early 20th century. His most apt nickname is “The Prince of Paradox.”
Despite its humble length (50 pages), this book was an admittedly difficult read for theological reasons, focusing as it does on adoration to Mary. (Other reviews mentioned this, but most lack enough detail to deter a serious, though Protestant, Chestertonian, such as myself.) The poetry itself was beautiful; much of it has the same lilting meter found in Myers’ famous Saint Paul. In its prosody, it follows the same sort of patterns seen in Chesterton’s general collections like The Wild Knight and Other Poems. But unlike the others, it lacks variety of subject matter.
Most readers will either love or hate this book, depending solely on whether they allow for prayer to Mary. For my part, I have always found prayer to the departed saints (including Mary) to have no biblical backing whatsoever; the practice stems from culture and custom, not from wholesome spirituality. The New Testament authors ring with one accord the glorious news that we have become “a kingdom of priests,” fully entitled to “boldly approach the throne” on our own behalf but not on our merits, needing no other surety than the blood of the Lamb.
The eponymous cycle of poems turns on a metaphor of Mary having seven swords in her (see Luke 2:35), which are the swords of seven saints (which he admits are purely fanciful, not reflecting a historical reality).
Favorites were “St. George of England,” and “A Little Litany.” Other than these, there is almost nothing in the book that doesn’t relate directly to the honor of Mary. There are romantic, medieval-sounding themes and Robin Hood and King Arthur receive prominent mention, but mainly as adorers of Mary, whom the author calls by various honorifics, such as “Our Lady,” “Our Mother,” “the Queen of Angels” and “the Mother of the Maker”—an unbiblical falsehood that has been the constant stumbling block of millions of Muslims, who are told in the Quran that we believe God and Mary literally begot Jesus together.
Of the hymns to Mary, “The Black Virgin” was probably the most interesting for theological reasons, dealing with cultural expression of religion.
Overall, I don’t recommend this book at all to Protestant readers. Let not its rarity make it seem a jewel to you; not all rarities are precious.
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