Author: G. K. Chesterton was a devoutly Catholic journalist, poet and novelist of the early 20th century. His most apt nickname is “The Prince of Paradox.”
The Ballad of the White Horse is an epic poem—here referring to content rather than length—named for one of many ancient English petroglyphs (the “Westbury white horse”); the stone symbol is attributed to the early English King Alfred, whom the poem idealizes. (In the introduction, Chesterton adroitly states that this is not a work of researched historical fiction.) White Horse offers a romantic vision of Christian virtue through the eyes of the English past. While Chesterton’s other poems (Poems, The Wild Knight) are scattered in theme and method, this is his only long poem.
Some quick facts on this little book:
- It is considered one of the last true “epics” of the English language.
- Like many Classical poets, Chesterton uses the glories of past victory as a kind of metaphor or prophecy of today’s enemies—which, in his view, in the Britain of 1911, were intellectual and not military.
- Some think, not without reason, that this poem was among the chief inspirations for The Lord of the Rings, in its imagery, conventions of epic, and recall of obsolete vocabulary.
White Horse incorporates a lot of philosophy into its story. The chief value is in Chesterton’s glory in the underdog, in the cross, in the servant:
“And well may God with the serving-folk
Cast in His dreadful lot;
Is not He too a servant,
And is not He forgot?”
(Book IV, loc. 449)
” . . . Verily
Man shall not taste of victory
Till he throws his sword away.”
(Book V, loc. 626)
Whatever it may seem to be, this is not a poem for children. Chesterton’s poetry tends towards archaic language that can be a little confusing; and in today’s political climate, the message of this book and could be twisted into brazen nationalism—though I think that would be an abuse of the author’s intent, which so often involves the cross.
“The men of the East may spell the stars,
And times and triumphs mark,
But the men signed of the cross of Christ
Go gaily in the dark.”
(p. 11, loc. 158)
“When God put man in a garden
He girt him with a sword,
And sent him forth a free knight
That might betray his lord.
(p. 43, loc. 389)
“And any little maid that walks
In good thoughts apart,
May break the guard of the Three Kings
And see the dear and dreadful things
I hid within my heart.
“The meanest man in grey fields gone
Behind the set of sun,
Heareth between star and other star,
Through the door of the darkness fallen ajar,
The council, eldest of things that are,
The talk of the Three in One.”
(p. 11, loc. 151)
Psst—nearly all of Chesterton’s works are available for free online. Click here to see more of what’s out there.