Tag Archives: F. W. Faber

Review: Faber’s Hymns

Rating: ★★★★★

Author: Frederick William Faber (1814-1863), a prolific Catholic writer and poet. Swept by the tide of the Anglo-Catholic movement, he converted from Anglicanism to Catholicism in 1845; nevertheless, his hymns in particular are treasured by Protestant and Catholic alike.

A. W. Tozer did a great deal towards popularizing Faber’s verse to a modern audience, in his books The Knowledge of the Holy and The Christian Book of Mystical Verse (which includes a few of the best hymns from Faber, but omits many of the hymns in the collection discussed in this review).

Overview: As far as hymns go, Faber made his own track, and he has been amply praised for it. Whereas many hymns of the period had a didactic flavor, Faber’s motive and goal is entirely devotional. He does not go on incorporating new elements in a single song; more along the lines of modern worship songs, he is laser focused on one aspect of God’s character.

Note on Editions: Many collections of Faber’s hymns have been published, but this edition (first published in 1894, long after his death) has been particularly popular. For the Pioneer Library reprint, a selection was made of the best 55 hymns, excluding several that should have been classed as poems, and others that were directed towards a Catholic audience. (The original edition had 72 hymns in total.)

Meat: The strength of the collection, as mentioned, is in simple, devotional verses on God’s character. “Come to Jesus” is the most popular of these and has been included in many hymnals; but many, many others are unforgettable: “The Unity of God,” “Majesty Divine,” “The Eternal Father,” “Jesus, My God and My All,” “From Pain to Pain,” and “The Creation of the Angels” are all hymns that are so intense as to be unsuitable for congregational worship. They demand a quiet, lonely space for prayer and the awestruck gratitude of single-hearted worship.

Faber also deals with dry seasons in many great poems, like “Distractions in Prayer,” “Dryness in Prayer,” and others

Faber also deals with grief and the afterlife in many of the hymns near the end of the collection, but in my opinion they were not the strongest of the bunch.

Bones: As I mentioned, the original edition is created for a Catholic (or, perhaps Anglo-Catholic) audience. The idea of a hymn addressed to Mary is inherently offensive to me; some of the ways of talking about the afterlife also seemed odd. For that reason, I recommend our new edition, which was painstakingly re-created.

Read Online:

A few of my favorite hymns, which are available online, are:

“Jesus, My God and My All” (a favorite of Leonard Ravenhill)

“Creation of the Angels”

“Come to Jesus”

“Harsh Judgments”

Buy: You can buy the new edition in paperback for $9.99, or on Kindle for $2.99. This book also has Kindle Matchbook which means that if you buy my paperback from Amazon, the Kindle version will be free.

 

 

fountain pen

8 Devotional Poets You Must Know About

Historically, poetry has always had an important role in the Christian spiritual life. The longest book in the Bible is a book of verse; many of the Bible’s prophetic books, though they are not translated as poetry, are poetry in their original language. In addition, the New Testament’s writers quoted from the wisdom of secular poets and from early hymns.

Although I am a lover of music, it is sad when music overshadows the truths about which we are singing. If you start reading these works, you will find that the best musicians of today are those that draw from the vast treasures of Christian verse in English.

  1. John Donne (1572-1631)
    A Spiritual Romantic
    Literature students will read a few of Donne’s angsty poems that can be read alongside Sylvia Plath and Emily Dickinson. But Donne’s Holy Sonnets and Divine Poems have a depth of work that set the foundation for English devotional poetry. His poems deal with suffering, the cross, and longing for God. Donne was a flighty and romantic soul, but in his lifetime ws better known as a pastor than a poet.
    Samuel Johnson classes Donne as a “metaphysical poet,” because of his flare for difficult metaphors (with no relation to the present trend of “metaphysics” as a religious study). Today critics class with him George Herbert, Henry Vaughan, and Richard Crashaw—all seventeenth-century poets who wrote on devotional themes, all inspired in part by Donne.

    ‘Twas much, that man was made like God before,
    But, that God should be made like man, much more.

    Selection of Divine Poems: vox

  2. George Herbert (1593-1633)
    Lyricist of the Cross
    Herbert follows very much along the line of Donne, but that does not mean his work is not valuable. He frequently contemplates scenes or passages from Scripture, and like Donne, he was a priest. He was also a lute-player, and many of his poems were set to his own music. Herbert died at 39.

    He that cannot forgive others breaks the bridge over which he must pass himself; for every man has need to be forgiven.

    Selected Poems (free): pdf

  3. John Milton (1608-1674)
    Poet of Eden
    Author of Paradise Lost and Paradise Regained. Although he is most well known for these two poems, he has many other poems, especially on the Nativity of Christ, that are worth a second look.
    Milton also wrote a number of polemical tracts, one of which—the Areopagitica—is regarded as foundational to the Western concept of censorship and freedom of press.
    Milton was blind in his later life. His biographer records that he had his daughter read the Scriptures to him in the original languages for hours every day. While he was writing Paradise Lost, he took comfort in what he considered his most significant literary work, a recent political tract, now all but forgotten in comparison to his poetry.

    Peace hath her victories
    No less renowned than war.

    Paradise Lost (free): amzpdfvox
    Paradise Regained (free): amzpdfvox

  4. Isaac Watts (1674-1748)
    Pioneer of English Hymnwriting
    In his lifetime, Watts was known as a logician more than his verse. In the early 18th century, he published  The Psalms of David Imitated and several others books that set the foundation for English hymnody. Little known to most Christians, there was a time in Reformation England when there was a controversy over whether congregations should sing psalms or hymns. Authors and theologians like Benjamin Keach and Isaac Watts were instrumental—pun intended—in bringing freedom to Christian expression in music and worship, similar to many 20th-century musicians who challenged the Christians music industry to expand its art forms.

    He rules the world with truth and grace,
    And makes the nations prove
    The glories of His righteousness,
    And wonders of His love.

    Psalms of David: amz ($0.99) – pdfvox

  5. Charles Wesley (1707-1788)
    Singer of the Methodist Revolution
    Today John Wesley is known as the “founder of the Methodist movement,” and his brother as the songwriter of the movement. But are the brothers so different? Both brothers were in Oxford’s Holy Club, which Charles founded in 1729; both brothers went to Georgia in 1735; both brothers experienced conversion in 1738; both brothers began open-air preaching in 1739 after the style of George Whitefield; both brothers wrote thousands of hymns, and both preached evangelistically for decades.

    Faith, mighty faith, the promise sees,
    And looks to God alone;
    Laughs at impossibilities,
    And cries it shall be done.

    Hymns and Sacred Poems: pdf

  6. William Cowper (1731-1800)
    Minstrel of Abolition
    Cowper and Newton arranged Olney Hymns for Newton’s congregation in Olney, England; this was the first work to include “Amazing Grace” (by Newton) and many other now famous hymns.
    Cowper’s The Task is often called the best of his poetry, probably because of its defense of a Reformed theology. But his other long poems like “Charity” have equal merit and are loaded with theological content.

    God moves in a mysterious way,
    His wonders to perform;
    He plants his footsteps in the sea,
    And rides upon the storm

    The Task: pdfamz
    Olney Hymns: pdfamz ($6.99)

  7. F. W. Faber (1814-1863)
    The Muse of God’s Character
    Faber was a prolific Catholic writer of both poetry and prose. Although his theology works are strongly flavored by his Catholicism, today many Protestants know and love his verse through the writings of A. W. Tozer. Tozer was so greatly moved by Faber’s poetry, that in his compilation, The Christian Book of Mystical Verse, Faber figures more prominently than any other poet. Tozer also quotes Faber multiple times in his devotional books like The Knowledge of the Holy.
    Faber’s hymns deal preeminently with the nature and character of God, which is why Tozer liked them so much. Faber also deals with themes of death, the prayer life, and spiritual dryness. Protestant readers can also get our edition of Faber’s Hymns which has been culled down from his best works.

    Shoreless Ocean! who shall sound Thee?
    Thine own eternity is round Thee,
    Majesty Divine.

    Faber’s Hymns: amz ($2.99) – pdf

  8. Elizabeth Barrett Browning (1806-1861)
    She was often quoted simply as Mrs. Browning, and her husband Robert was, of course, a famous poet in his own right. In some books of the period, she is introduced as “Mr. Browning’s wife,” but, ironically, I see her quoted more often in devotional readings.
    Though she shies from comparing her Drama in Exile to Milton’s Paradise Lost, she follows a similar line by starting where Milton left off.

    Earth’s crammed with heaven,
    And every common bush afire with God:
    But only he who sees takes off his shoes.

    Drama in Exile (free): amzpdfvox